Mar 262011
 

The Dragon In My Garage
by Carl Sagan

The Dragon In My Garage
by Carl Sagan
[Editorial note: This is taken from the chapter "The Dragon In My Garage" in Sagan's book The Demon-Haunted
World: Science as a Candle in the Dark.]
“A fire-breathing dragon lives in my garage”
Suppose (I’m following a group therapy approach by the psychologist Richard Franklin) I
seriously make such an assertion to you. Surely you’d want to check it out, see for yourself.
There have been innumerable stories of dragons over the centuries, but no real evidence.
What an opportunity!

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Mar 252011
 

MICHEL FOUCAULT “TW O LECTURES” (1976)

“Two Lectures.” Pow er / Know ledge: Selected Interview s and Other W ritings, 1972-1977. Ed. Colin Gordon. Brighton: Harvester, 1980. 78-108.

Lecture One, January 7, 1976

W hile Foucault notes the “increasing vulnerability to criticism of things, institutions, practices, discourses” (80), he is wary of “global, totalitarian theories” (80) which have in fact proved a hindrance to research. Hence, his sense that social criticism over the last few years has been local and less theoretical than reality-oriented. In addition, Foucault argues that we have been w itness to the “insurrection of subjugated know ledges” (81), that is, of the “historical contents that have been buried and disguised in a functional coherence or form al systematisation” (81). By subjugated know ledges, Foucault m eans those “naive know ledges, located low down on the hierarchy, beneath the required levels of cognitio n a nd scientificity” (82). It is through the reappearance of such know ledges that criticism of the sort which he offers perform s its work. He is of the view , for exam ple, that it is a sem iology of the life of the asylum or a sociology of delinquency which w ould have prevented an effective “criticism ” (81) of the asylum of the sort w hich he him self offered in works like Madness and Civilisation.
For Foucault, it is a s m uch in the “specialised areas of erudition (83) as in w hat he characterises disqualified, popular know ledge” (83) tha t there lies the “mem ory of hostile encounters . . . confined to the m argins of know ledge” (83). It is precisely such m arginalised m em ories that his approach to social criticism , w hat he cam e to describe with the Nietzschean term genealogy, is concerned to uncover. Genea lo gy “allows us to establish a historical know ledge of struggles and to m ake use of this know ledge tactically today” (83) by entertaining the claim s of illeg itim a te know ledges versus the claim s of that”unitary body of theory w hich w ould filter, hierarchise and order them in the nam e of som e true know ledge and som e arbitrary idea of what constitutes a science and its objects” (83). There is no question here, however, of a naive return to “direct cognition” (84) or “imm ediate experience” (84). There is, rather, a concern with the insurrection of know ledges opposed to the “effects of the centralising pow ers w hich are linked to the institution and functioning of an organised scientific discourse within a society such as ours” (84). Genealogy reactivates local know ledges against the scientific hierarchisation of know ledges and the effects intrinsic to their pow er” (85). W here the activity w hich he term s archaeology (and to w hich m ost of his early works were devoted) refers to the “m ethodology of this analysis of local discursivities” (85) (that is, the analysis of the particular discourses which constitute the human sciences such as psychiatry), genealogy refers to the “tactics whereby, on the basis of the d escriptions of these local discursivities” (85), such subjected know ledges could be located in opposition to the forces of centralisation and hierarchisation.
Foucault’s objection against M arxism is located precisely in the claim to m ake a science out of it. F or F oucault, it is vital to “question ourselves about our aspirations to the kind of pow er that is presum ed to accom pany such a science” (84). He asks:
W hat types of know ledge do you want to disqualify. . . . W hich speaking, discoursing subjects w hich subjects of experience and know ledge do you then w ant to dim inish? . . . W hich theoretical-political avant-garde do you want to enthrone in order to isolate it from all the discontinuous form s of know ledge that circulate about it? (85)
M oreover, Foucault’s concern is that once hitherto unvalorised know ledges are brought to light and put into circulation, they “run the risk of re-codification, re-colonisation” (86), annexed and taken back into the fold, as it w ere. Indeed, he w arns that the silence w ith w hich unitary,

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Oct 172009
 

How to be Innovative and Develop Great Ideas ?

The importance of creative thinking today needs no emphasis. In your profession or sphere of work you will have a competitive advantage if you develop your ability to come up with new ideas. In your personal life, too, creative thinking can lead you into new paths of creative activity.

The Creative Thinker With creativity we start with what already exists.We recognize creativity where the artist or thinker of genius has transformed the materials at hand into a new creation of enduring value.He is most original who adapts from the most sources, as the saying goes. You will be creative when you start seeing or making connections between ideas that appear to others to be far apart.Creativity is the faculty of mind and spirit that enables us to bring into existence, ostensibly out of nothing, something of use.

Put yourself into the shoes of an inventor. You have become dissatisfied with the solution to some existing problem or daily necessity.Something occurs to you,You go home and sketch your invention, and then make a model of it.

Thinking by analogy, or analogizing, plays a key part in imaginative thinking. This is especially so when it comes to creative thinking.
Nature suggests models and principles for the solutions of problems.

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